DeathArrow
(Lukas Wellmann)

(Lukas Wellmann)

| Member Since: | Friday, September 05 2008 @ 08:18 AM CDT |
| Contact: | |
| Homepage: | http://www.youtube.com/lucansmiles |
| Location: | , Austria |
| Song Comments: | 355 |
| Song Votes: | 2 |
| Forum Posts: | 185 |
| Weekly Points: | 0.00 |
| Total Points: | 1874.85 |
Bio:
I fear. I fear insignificant things like arachnids. I fear electrostatic discharge. I fear exploding light bulbs. However, I fear admiration the most.
I consider myself a chronic perfectionist, always longing for excelling myself. There’s nothing I hate more than not being criticized because as an artist it is my ongoing task to tweak myself and to generate bold criticism on my character with my work. Not being criticized means to me that I cannot be taken seriously anymore as an artist and that consequently I will lose my influence on my surroundings.
My work’s greatest good distinguishes itself by being rebuked by others. That’s why my fellow men are prompted to care about the issues addressed in my work. Not being rebuked signifies the failure to complete the key task of my work.
I may simply still be “nobody”, yet I’m convinced that I will very soon be able to advance to “somebody” due to my industry and hard work. Only with extensive support it is possible to be “somebody” - and one owes it to the critics to “stay grounded” because they downgrade them back to being “nobody”. Hence, one queries their own being, tries to get to the bottom of the own oevre and tries to correct their own faults in the best way possible.
I fear admiration the most, and I provoke to dodge that fear. It is often said that one should face their fears, but I wouldn’t want that at all because it’s simply just that one fear, which maintains my works’ prosperity. Where would I be without criticism, without hatred and envy? If I was “somebody”, I’d feel better than everyone else, take off - and solely criticism can preserve me from that. Only if my critics made me to “nobody”, I’d be “somebody” in the end.
I fear. I fear insignificant things like arachnids. I fear electrostatic discharge. I fear exploding light bulbs. However, I fear admiration the most.
I AM NOBODY.
I fear. I fear insignificant things like arachnids. I fear electrostatic discharge. I fear exploding light bulbs. However, I fear admiration the most.
I consider myself a chronic perfectionist, always longing for excelling myself. There’s nothing I hate more than not being criticized because as an artist it is my ongoing task to tweak myself and to generate bold criticism on my character with my work. Not being criticized means to me that I cannot be taken seriously anymore as an artist and that consequently I will lose my influence on my surroundings.
My work’s greatest good distinguishes itself by being rebuked by others. That’s why my fellow men are prompted to care about the issues addressed in my work. Not being rebuked signifies the failure to complete the key task of my work.
I may simply still be “nobody”, yet I’m convinced that I will very soon be able to advance to “somebody” due to my industry and hard work. Only with extensive support it is possible to be “somebody” - and one owes it to the critics to “stay grounded” because they downgrade them back to being “nobody”. Hence, one queries their own being, tries to get to the bottom of the own oevre and tries to correct their own faults in the best way possible.
I fear admiration the most, and I provoke to dodge that fear. It is often said that one should face their fears, but I wouldn’t want that at all because it’s simply just that one fear, which maintains my works’ prosperity. Where would I be without criticism, without hatred and envy? If I was “somebody”, I’d feel better than everyone else, take off - and solely criticism can preserve me from that. Only if my critics made me to “nobody”, I’d be “somebody” in the end.
I fear. I fear insignificant things like arachnids. I fear electrostatic discharge. I fear exploding light bulbs. However, I fear admiration the most.
I AM NOBODY.
