Hi People,
thanks for the feedback -
me and Marinella had high times reading all this.
Let's address a couple of matters:
First of all, we are not professional -
we don't make a living out of this stuff.
This doesn't mean that we wouldn't love to *:>
We released a few records in the past, but they never
got mainstream.
The track in its first form featured a more jazzy
walking bass and real drums.
We moved to a more "ambient" arrangement to
best fit the other songs of our EP - we are
tempted to play whatever we like, but often it's a
commercial suicide.
The rhodes and the vocals are a little bit
harsh on the special, there are a couple of notes
clashing. We left this harshness because
it gaves that phrase some kind of bitterness.
After a couple of months, we decided to move
further into electronic territories, so we gave the
song a twist erasing the jazzy drum tracks,
putting a more kraftweresque rhythmic stuff behind -
the final version of Ophelia's Song sound a little bit
more glacial and futuristic.
Unlike other stuff we've made, this song started as
a chord progression and a melody put upon it -
Then came the arrangement.
The problem with loop based sequencers is that often
I'm tempted to write melodic lines upon pre-built loops
(this is what I've done on the other song, "some thoughts
are hard to die"). While sometimes it works, sometimes
not - the music should be in your mind, then on the Mac -
do not reverse the order of the events *:>
That's why I think that if a song works with
just a piano or an acoustic guitar and the vocals,
you've done the 80% of the work.
Then, if the arrangement is done properly, the mix should
be the last of your worries (as someone says, "the song
mix by itself").
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of experimental but the vocals make it very enjoyable to
listen to. The harmony vocal later in the song doesn't seem
to fit perfectly. You can never go wrong with a Jam in a triple
meter. Thanks for sharing this.
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