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Description
After the last recording session we had an
idea for a song: tribute to apathy.
Strange logic, oh well.
It was our usual joking kind of song idea.
Well when we started to record it here's the result.
idea for a song: tribute to apathy.
Strange logic, oh well.
It was our usual joking kind of song idea.
Well when we started to record it here's the result.
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Lyrics
They make a killing
I can't make a living
They make a killing off me
They make a killing
I can't make a living
What's wrong with me
Fell in love long ago
Dreams fade away
And all I know
Is I'm in love with my apathy
They make a killing
I can't make a living
It's all about greed
And the only real problem
is what's wrong with me
Fell in love long ago
Dreams fade away
And all I know
Is I'm in love with my apathy
They make a killing
I can't make a living
It's all about greed
What's wrong with me
Fell in love long ago
Dreams fade away
And all I know
Is I'm in love with my apathy
I can't make a living
They make a killing off me
They make a killing
I can't make a living
What's wrong with me
Fell in love long ago
Dreams fade away
And all I know
Is I'm in love with my apathy
They make a killing
I can't make a living
It's all about greed
And the only real problem
is what's wrong with me
Fell in love long ago
Dreams fade away
And all I know
Is I'm in love with my apathy
They make a killing
I can't make a living
It's all about greed
What's wrong with me
Fell in love long ago
Dreams fade away
And all I know
Is I'm in love with my apathy














chikoppi
The vocal harmonies give this a kind of strange quality,
like the Moody Blues or something. It has a nice flow to it,
dark, but sort of punctuated with hope by the harmonies
in the chorus. A few more lines in the lyrics would add
depth and meaning to the sentiment. As it is I think there
just isn't enough variation and after the second chorus it
begins to feel repetitive.
Production-wise its pretty good. You've got a little hiss,
but it isn't bad. I think one thing you could polish-up
easily is the vocals. A pop screen will cut out the rasp of
breath against the microphone. When you sing close,
during the verse, the low end kind of overwhelms the
shape of the words. I think a little compression might
balance out the sibilants with the vowls.
Its a good start on what could be a really good song (5-6
-6-6)