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| av01der said 1485 days ago (October 28th, 2005) | |
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q This song captures the essence of IDM: spastic beats draped in delicate melodies. Fantastic. I eagerly await the rest of the series. PS: I agree, this site needs an IDM genre. I can't count the number of times I've needed that as an option when submitting a song... Check out my latest song called dawn/drive
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| _nderscore said 1483 days ago (October 30th, 2005) | |
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tastes great joyful, cold, warm & damn pretty in places. the flutey-ness does it for me, too. kickin Check out my latest song called glyd
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| _nderscore said 1483 days ago (October 30th, 2005) | |
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tastes great joyful, cold, warm & damn pretty in places. the flutey-ness does it for me, too. kickin Check out my latest song called glyd
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| _nderscore said 1483 days ago (October 30th, 2005) | |
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ahhhhhh.. the dreaded double-f_cking post. sorry, i'm new at this Check out my latest song called glyd
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| pulse said 1482 days ago (October 31st, 2005) | |
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freakify me Completely unsettling. Like a horror movie, I'm drawn in by my morbid curiosity. This is amazingly inventive. Sweet sounds juxtaposed with these frightening ones. Kept me intrigued the whole way through. Another time-consuming effort; job well done. Check out my latest song called Coalesce (vent sombre mix)
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| zarathustra said 1482 days ago (October 31st, 2005) | |
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awesome Great balance of the tension and release that is IDM; keep it coming.... Check out my latest song called Languid in Berlin
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| atonalis said 1480 days ago (November 2nd, 2005) | |
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Sweetbeets yup....a little out board (waldorf synthsounds,some) but most was done in reason and other various softsynth and vsts. thanks so much for the listen. Check out my latest song called lit with a wet match.
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| The Composer said 1481 days ago (November 2nd, 2005) | |
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Fascinating Never really heard much music like this before, but I'll comment best I can. The piece is great, it doesn't get stagnant at any point in time, theres always some variation within the piece but always maintains some feature that helps connect the piece together (normally the flute and other samples). Overall very interesting! Constructive critisism, I don't know this genre of music, so I'll just comment on my immediate reactions. The sound isn't as well rounded as it could be. In my opinion there are way too many harsh and high frequencies in this and the low to mid range is often a bit thin... making the piece sound a little empty at times. Is there anyway you can smooth out some of those high frequencies occasionally? I was relieved when you got to some of the lower and calmer sequences simply because they gave my ears a rest. The other thing is that it felt as if your foreground and background material wasn't quite organised properly. I felt as if the samples were intended on being the foreground material, but because they naturally had alot of reverb while your percussive beats and pulses were completely dry it meant that they appeared behind the beats and pulses instead of infront. So yeah, it was sort of confusing as to what I should be focusing on. Great work though! Check out my latest song called 25 Minutes in a Japanese Restaurant (Readers Digest Version) (MJRF)
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| atonalis said 1480 days ago (November 2nd, 2005) | |
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thanks really appreciate the in depth review. something i'm not usually good at. yeah, this piece is intended to have a lot of harsh upper frequencies.......... it's pretty much a twisted drill track without bass proper. the kicks tend to fill out the lower frequencies, but only when they are there. yeah, it's meant to lack 'warmth' for the most. thanks again for the review.......... - shawn Check out my latest song called lit with a wet match.
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| roteus said 1176 days ago (September 3rd, 2006) | |
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Supreme Your spastic hard beats are so kool, excellent job! Sound little epilttic!!! Well done keep this way! Check out my latest song called Balance of Neurosis
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Check out some of my other songs:
More songs in Experimental:
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allsaints
Ah, finally the first. Always enjoy the frenetic cut up of beats and pulses
and noises. Strange juxtaposition of those with the light, almost flute like
noise and the strings. Lots of highs and lows in tone. Great sounds
throughout. I'm intrigued to see how it develops as the suite progresses.