Peabody done taught you well son.
Golly.

[ Reply to This ]

chicken shits that vote......but don't comment. makes me feel more confident in a funny way. i understand annonymity in voting......to a degree........ however, at garageband.com, no one knows who they are reviewing/rating .....unbiased.....but people that are voting/rating at MJ, know who the artist is...... it's half assed annonymity....... i'll never know who they are...... but they know who i am..........most other communities group the vote /rating WITH the comment...... hence an explaination ..... and not a fucking drive by.......

[ Reply to This ]

Yes Atonalis, this is starting to become a problem here.


[ Reply to This ]

Really enjoyed this. Sounds like I'm right there, dark room spot lights hit
here and there revealing each instrument as it plays its part. I can already
tell that I'm going to have to wonder around your site a bit. Nice job...
wish I could come up with stuff like this.

Regards,
John

[ Reply to This ]

Keep this up and you'll be forcing John Williams to resort to selling ice cream to kids... or is that candy? This is obviously the point in the film where you just know something bad happens. This really transports. Awesome!

And I agree about the drive bys... How about all those listens without votes or comments? What the fuck?

[ Reply to This ]

or when atonalis goes acoustic. damn this miroslav thing sounds incredible. neoiD is a quite impressive cinematic (or not) piece. it'd be nice with some beat though :-)

[ Reply to This ]

I dunno -- I don't like it. Sounds thrown together, not delicately worked-out. It must be better than that. Beaucoup distortion. FYI, I comment but never vote.

[ Reply to This ]

one sharp cookie friend! Way to showcase your many facets of talent:)

[ Reply to This ]

There's a great texture to the sound here - you even have a few John
Barry moments. It would need to be a top film to keep up with the
suspense in the music.

I must check out Miroslav!

[ Reply to This ]

YOU need not a good or bad vote, but I'll give ya one anyways; see if
you can figure it out... You too, could bennifit from disengaging the
voting thingy - What you do is somewhere around above what most
can know, so what bother knowing this... Thanx - Dion

[ Reply to This ]

that was, 'why bother knowing'...

---
<a href=http://homepage.mac.com/ddionyoung/FileSharing6.html>That's EJH</a>

[ Reply to This ]

Have you tried using a Convolution reverb like Altiverb...It creates incredible ambience for orchestral writing beyond any other reverb I've ever heard.

Nice writing, but there's some articulation wierdness in the tutti near the end. Not that i'm any great shakes with orchestral plugins but I did hear it on my first listen through.

[ Reply to This ]

Skip the altiverb reference.

[ Reply to This ]

..... i know.... i'm having issues with the plug in..... trying to be creative with the articulations.... it's soooo difficult to do fast sustaianed articulations with strings. it's gettin' me down..... i'll have to revert to just slow strings soon if i don't find an answer/plug in that can acheive freakin' true stacatto/detache/arco strings...... but i'm determined to make it work....... thanks for the listens .......... much appreciated......

[ Reply to This ]

First half a little choppy and heavy on the atonality but made the second
half's more fluid and harmonic qualities that much more effective. A
really quality piece here. Nice work.

[ Reply to This ]