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Description
Part I: Resistance
Part II: Assimilation
Part III: Evolution
This is an alternate version of JOAN's "6 of 9".
There is a lot of subtle stuff in here. Listen to this first with headphones... and then later very loudly in an open space.
Part II: Assimilation
Part III: Evolution
This is an alternate version of JOAN's "6 of 9".
There is a lot of subtle stuff in here. Listen to this first with headphones... and then later very loudly in an open space.
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Lyrics
6 0f 9
and half waste time
and now i'm blind to see
time
is on the rise
and now i'm blind to be
did they take you where you want to be?
did they show you all you need to see?
did you say you were happy?
did they figure you out?
did you figure you this time?
once i didn't doubt
when i knew this time now
this time now this time now
my own mind
living this time
living out
living out this time
living out this time...
thats when i go down
and i get away from
thats when i go down and i get away from ............
and half waste time
and now i'm blind to see
time
is on the rise
and now i'm blind to be
did they take you where you want to be?
did they show you all you need to see?
did you say you were happy?
did they figure you out?
did you figure you this time?
once i didn't doubt
when i knew this time now
this time now this time now
my own mind
living this time
living out
living out this time
living out this time...
thats when i go down
and i get away from
thats when i go down and i get away from ............














perceptualvortex
Well, I'm listening with headphones... not sure that's wise; the song is going directly to my eardrums, mainlining into my parietal lobes, and then taking on a life of it's own... skipping neurons laterally, and bathing in the dopamine among my limbic system... I can hear the beats crawling into a purely conceptual dimension, where they think they're tripping at a local rock show and spinning webs out of the details and glitches, because they're running roughshod over established structures. Now my artistic sense is a little less Brancusi and more Pollack.