Keith ... thank you for the comment. One of the things that I try to do when
putting together songs is keep them interesting, and I am glad that you think
this song is worth repeat listens. That is one of my goals!
I spent a long time listening to pop music when I was a radio station air
talent and music director and a lot of time taking apart musical backgrounds
and putting them back together differently when I was (and am) doing
commercial production. Some of the things I learned in those jobs helped me
keep things interesting in my music. For example: intros that are too long are
boring ... a change in key refreshes the main theme ... new instruments
introduced somewhere as backing instruments help the sense of build ...
harmonies, or a doubling with the second instrument an octave apart from
the main instrument, in the main theme the second or third time it is used
also creates interest by creating a "build" in the song ... a bridge or a break
can be useful too to break up the boredom of the same theme. If you analyze
many of the classic pop songs of the past 40 years, you find these are
standard tricks of the composers. And many of those tunes are still
interesting to listen to even after a thousand listens. Of course on the other
hand, many of them would make me puke if I heard them even once more ...
but that is a different subject all together ;)
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Anyway. A splendid composition. The drums sound like a slow train, and strongly reminds me of the many deportations of Jewish people to the concentration camps. The bassline is someway threatening, and keeps coming back an back. Very nice strings textures, great guitar playing.
While I'm writing this, it's already the tird time I'm listening to the track. Should this mean I like it?
Damned good work!
Walter
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