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Description:
I just reworked this song and I wanted to post the finished product. On this song, I am playing all the instruments, guitar, flute, keyboard and drums (on the keyboard), as well as the vocals. Thanks so much for listening, Stacey Lyrics:
"SAVANNAH" Stacey K. Black that night in houston when i helped you see the demons you run from could help set you free with the simple touch of my fingers on my strings you could no longer ignore the truth you've gotta open up your eyes grow up big and strong it's funny how time flies when you're feeling wrong that night in tucson when i helped you laugh i led you down your least traveled and scariest path with the simple touch of my fingers on your strings you could no longer ignore the proof oh please open up your eyes and grow up big and strong it's funny how time flies when everything's wrong who are you who are you fighting with who is it who makes you so angry what are you fighting for who are you? some night in savannah when i leave you behind i know you think ill have a really good time with the simple touch of my fingers on his strings i'll no longer ignore the truth I've gotta open up my eyes grow up big and strong it's funny how time flies when i find out... i'm wrong... Hardware:
PowerBook G4, Boss digital recorder, audiotechnica microphone, Yamaha keyboard, Buffet Crampon flute.Software:
GB3 |
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You must be registered and logged-in to comment. Each town has a tale &mdash 08/07/06 - 10:14:27 AM
Each town has a tale &mdash 08/07/06 - 06:07:48 PM
Nice improvment &mdash 08/07/06 - 10:20:03 PM
Damn, Girl!... &mdash 08/09/06 - 11:13:48 PM
Hey Hey Girl ;0} &mdash 09/17/06 - 10:33:07 AM
realy great &mdash 09/25/06 - 07:36:01 AM
Great Sound! &mdash 01/02/07 - 12:08:23 AM
Good again &mdash 03/27/07 - 08:37:30 AM
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your posts a great deal. This story song, turning of the tables at the
end, is wonderful. I liked what you are trying to do stylistically with the
arrangement, and some of it works really well. But there is an overall
demo feel to the track that left it slightly hollow in my ears (on an
audio level), and I think it all goes back to the rhythm guitar sound you
use. My ears wanted more bite, more EQ highs, more presence, and
more grit and verve in the playing, to drive the emotion. Also, when
the flute flits around like a bird, it works really well; when it plays long
tones in the middle transition section, it seemed random and less
poignant. Your layered vocals are very nice, atlho at the important
Savannah verse, I can't tell what you are saying, and unless I had the
lyrics written in front of me, I would have missed the twist, the change
of pronoun, the important moment in the story. Such a longish story
may also deserve a stronger, longer ending. Consider a drawn out
repeated coda to drive the lasting emotion of "I'm wrong" into a more
frenzied fade, if that makes sense to you? It is what I thought would
have fit better, and given me more time, as the listener, to digest the
message switch to, surprisingly, at the end. Really nice writing.
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