YAYYAYAY!!! &mdash 11/01/06 - 03:36:09 PM
YOu could have posted your worst piece here and I wouldnt care:) Just so happy to hear anything from you!
As it is.. I loved it!! its more heavy and dark at the front end which forshadows the rest of the song quite nicely.
In essence though I get a modern middle/far east city a bustle with good and bad intentions/ Floating through its grey sky and neon clad ruins:)
Im very happy with it.. and loved the soft landing!
WB Miss Chaos! So lovely to hear you again:) [ Reply to This ]
thanks! &mdash 11/02/06 - 09:59:40 AM
Love your thoughts on imagery. You make me smile.
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So great to get new music from you... &mdash 11/01/06 - 04:30:52 PM
Ms. Kay Ahs, I am not a particularly visual person. Others will have many images, I would guess, though, because this piece is rich with texture, dynamics, movement, orchestration, and emotion. I just put my headphones on, close my eyes, and drink of your formidable skills.
I love this piece. It's beautiful, creative, and evocative. You are becoming more and more skilled with the use of the palette of sounds available to you. This is wonderful. Please continue to compose and bring your excellent music to us. Your artistry cannot help but grow.
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Futz... &mdash 11/02/06 - 10:12:42 AM
Diamond Age... the Movie &mdash 11/01/06 - 04:37:14 PM
For some reason, what came to mind was a grand big-screen vision of the near-futuristic gritty vision from Niel Stephenson's book "Diamond Age", specifically, the downtown Asian seaport megatropolis. Hard to describe in a sentence for those who've not read the great book, but the shakuhachi and some of the scales sound very Japanese/Chinese, and other synthy sounds (like the awesome down-bent super-bass percussion thingie) sounds very futuristic-modern city-like (like the old Fritz Lang "Metropolis" movie, automated machinery crushing the humanity out of the populous.) Great broad scope and wonderful mixing keeping everything "big" yet clean. However, I didn't like the super-wide separation at the very beginning (headphones), I'd have started with things closer together, then panned apart as it progressed. Also, a couple of the early choir notes stopped a little abruptly and sounded "sampled" instead of real. But other than those minor nits, this was epic, and makes me want to go see your movie. Very nice choices of sounds, great unstoppable momentum you build here... and nice way to bring it to an end. Welcome back, Ms_Chaos!
ttfn,
Drakonis [ Reply to This ]
Thanks, Drak &mdash 11/02/06 - 12:47:16 PM
Now that you and PV have mentioned the book, I'll have to go find it!
When I separated that intro "bell" track to the far left channel, I KNEW you would say you didn't like it. :-) But it has just enough "WTF" power to highlight the choral tracks that come in just moment later. More experimentation on my part -- whether it's successful is to be determined, I guess. You've got a keen ear for this stuff and I'm always grateful for your critique. Thanks!
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Parts of this .... &mdash 11/01/06 - 04:47:42 PM
... screamed "Kitaro" to me (my favourite New Age Artist) ... so glad to see you back making music .... this one was a HUGE way to splash back into Macjams ! It's great ! [ Reply to This ]
Yeah &mdash 11/01/06 - 05:52:53 PM
That's what it sounds like, Kitaro. So, in search of Satori, maybe you found Kitaro...?! Which is a good thing. I've only heard Silk Road (one of several?) but that was quite nice. And this certainly come up to the same standard, maybe even better because of the nerve and action in it. Great production for sure, and thanks for sharing. Fav'd and dl'd of course...
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thanks, alannah! &mdash 11/02/06 - 12:49:00 PM
the Kitaro comparison isn't the first time I've heard that. I'm not sure I know any of their stuff, but I'll have to now! Thanks for stopping by!
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I can see forever &mdash 11/01/06 - 05:19:20 PM
NIce gentle opening. Cello and flute sound terrific. The bass dive under the cymbal crash is particularly effective. The percussion is very finely mixed and spaced - dense, but not busy and with plenty of variety and expression.
This is very cinematic, mysterious, and grand. The chords change by degrees and create an almost tidal effect, which is very in keeping with the soft, ambient tone of the piece. I tend to not like most vocal synths, but I like the character you've given them here - more flute or bassoon-like. The voicing of the instruments delivers some very pleasing depth and harmony. The single note with the upwards glide ("a-ah") makes for an evocative recurring motiff.
Very lovely with enough detail to warrant many successive listens. Excellent blend of instruments in a mix that is positively delicious! [ Reply to This ]
gracias, chikoppi &mdash 11/02/06 - 12:52:25 PM
You know, since I obseses over the mix sometimes, I love reading comments that are specific to the instrumentation and the mix. I'm such an amateur that most of it is just trial-and-error or whatever the heck sounds "best". Thank you very much for the encouragement.
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Really Cool Miss (Mrs) C! &mdash 11/01/06 - 06:04:23 PM
This is so well put together. Yet ANOTHER fav! And the hits just keep coming...awesome production, love the understated asian feel, great percussion, nice overlay of acoustic and electronic. On and on and on...
--G (B) [ Reply to This ]
:-) &mdash 11/02/06 - 03:01:06 PM
Graham, I often think of you when composing... partly because I'm always conscious of not wanting to disappoint you. The other part has to do with the fact that I'm certain you're in tuned to my music and will have a most discerning ear. I'm so very pleased you enjoyed this.
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The name is Chaos... Miss Chaos... &mdash 11/01/06 - 06:13:53 PM
As said very cinematic. There are many sceneries and landscape in the mind of our Miss... Jungles of creation. Many colours, sometimes fresh, sometimes dark, urge then calm. Feels like you let us visit places of your imagination and that's very pleasant. [ Reply to This ]
Yeah... &mdash 11/01/06 - 09:43:43 PM
from the shadows... &mdash 11/02/06 - 03:08:01 PM
Pierre-Paul, you've surfaced again -- and I'm glad you did. I got your email, too. It sounds like things are well. I will respond soon. In the meantime, I'll just say that your words mean alot here. Thank you! Ciao!
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Wellll &mdash 11/01/06 - 09:46:22 PM
I read Drako's comment about "The Diamond Age" (perhaps my favorite fiction of all time) and now that megalopolis is what I picture too. But, banishing that from my mind, I'm probably thinking more of what it's like when you're walking through the lonely woods at night, without a flashlight, just by the moonlight (not influenced by your inverted Mt. Rainier(?) nope, not at all). I used to love doing that, and there's (imaginary) mystery and beauty and drama innit that you can't get during the daytime. Just like in this song. The plants and flowers that don't fold up at night, just watch the moon in floral wonder. That's what you've got here. [ Reply to This ]
On &mdash 11/01/06 - 09:49:53 PM
On second listen, I have to say that I'm very reminded of the Afro Celt Sound System. Excellent work here, MissChaos! [ Reply to This ]
the moon &mdash 11/02/06 - 02:53:21 PM
"The moon in floral wonder" . What a beautiful concept, PV. I didn't know you were such a poet. :-) I may pick your brain on titles in the future! Wow, the Afro Celts... I've listened to them a bunch in my lifetime, but never thought I'd be influenced in any way. Their stuff always has a beautifully thought-out ethnic flavor and I'm usually awestruck by their melodies. Thank you so much for your kind comment.
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Finding Satori &mdash 11/01/06 - 10:44:27 PM
Your cover photo reminded me of my first synthesizer, an Alpha Syntauri...back in about 1982. The music for this number is sort of cosmic...So well mixed and orchestrated. If you've seen part 3 of 2001:A Space Odyssey this would work beautifully. It's dreamy and hopeful to me; not dark or foreboding at all. The bent notes on the flute track are mesmorzing as is the "twinkle" fade at the end... Stardust to be sure. I am glad I had the opportunity to listen to this really fine composition and look forward to hearing much more.
Paul [ Reply to This ]
thanks, Paul &mdash 11/02/06 - 03:18:44 PM
I think I was still playing with my toy piano in 1982, but I remember the Space Odyssey -- It was a favorite of my father's. Thank you for such kind words. After listening to your songs here, I'm really humbled.
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lovely . . . &mdash 11/01/06 - 11:32:27 PM
this is very nice -- and quite well done !!
puts me in middle earth, so-to-speak.
thank you for the tune ! [ Reply to This ]
thanks, fish! &mdash 11/02/06 - 03:23:46 PM
I am making it a point to go and listen to your songs here. It seems I've fallen behind in the new members lately. I really enjoyed your bio -- I can connect with many of your thoughts. Thanks for stopping by!
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My cat's name is Satori... &mdash 11/02/06 - 02:38:05 AM
...and this is nothing like hunting under beds and in closets for wherever she's hiding.
BUT! It is a very lovely and evocative piece nevertheless! Great choice of sounds to produce the mood, and I love the combination of ominous and energetic that you've come up with. [ Reply to This ]
haha! &mdash 11/02/06 - 03:30:33 PM
That's hilarious. I totally had the whole story line laid out in my mind: "Finding Satori", starring Satori the Cat. What a clever name for your cat! I have a cat named Elvis, and everytime he escapes to wander outside... I'm sure you can guess the punchline: Elvis has left the building. I think you should write your own Finding Satori and don't forget the video! Thank you for your kind words!
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Mt. Fuji that reflects on the surface of the lake. &mdash 11/02/06 - 07:26:11 AM
There are five lakes in foot of Mt.Fuji.
My family name is "Togawa"
It originates in the village in the lake in foot of Mt.Fuji.
Then, my ancestor has lived.
This song is race's song.
Is it a song of my blood? [ Reply to This ]
thank you, Tadashi &mdash 11/02/06 - 03:51:00 PM
Some of the images of Mt. Fuji leave me without words. I can only dream of seeing it in person. And now to meet someone whose ancestors lived in a village at it's foot - To live amongst it's majesty... It sounds like a dream. Thanks for stopping by.
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very nice! &mdash 11/02/06 - 02:32:46 PM
hey apple! &mdash 11/02/06 - 04:11:12 PM
Thanks for stopping by to listen! I just heard your Bush = Liar song last night and was groovin' to it! Will be listening to more of your stuff.
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Favourite so far! &mdash 11/02/06 - 03:03:07 PM
Here's what strikes me about your music. Most composers, for argument's sake let's call them "trained" musicians have a certain approach to music, which at best makes their music structured and transparent (I'm referring to soundtracks here) or, at worst, predictable and contrived. Now your music has this wonderful element of surprise and fresh creative energy, which combined with your intuitive sense for drama and instrumentation not only keeps getting better and better, but also goes in all kinds of directions musically. Personally, I think this piece is the best example of this particular talent of yours. I was really inspired by how you sucessfully work different sounds and rhythms from various genres into an organic, intense, dark sound adventure with a strong sense of hope or at least positive dynamic energy. All without resorting to reverbs and other "dilluting" sound effects. Love it how the rhythms come go with the distorted bass drum being the connecting link (no crash cymbals - smart!). Talent, yes, but you're starting to demonstrate some serious musical experience in composing and programming here. Sincerely impressed! [ Reply to This ]
gosh. Wow. &mdash 11/02/06 - 05:05:56 PM
Sometimes it's the simple satisfaction of knowing the people you look up to "approve". I rarely know what to say about my own music because I have no technique and no standard approach. It's like reading a book: I can get lost in my thoughts and imagination; in this case, something majestic and serene yet unstable and ominous. Writing a little melody and harmony can leave me saying, "Where the heck did THAT come from?!" The truth is, I just don't understand musical talent well enough to wrap my mind around it's limitations and possibilities. But one thing I know for certain is that when I hear something I like or love, it starts a fire under me -- a sort of envious rage that I've managed to channel into writing more and more music. And sometimes it leaves me hopeless and thinking, "I'll never be that good, so why bother". You, Mr. Parichayaka, have become one of those fire-starters. Your music inspires me, plainly said. So to read this is really, really gratifying. Thank you so much.
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reality &mdash 11/02/06 - 10:45:28 PM
this doesn't seem dark to me at all (except maybe it's a bit dark at 60% in). in fact, i feel the title fits exactly right. this is enlightenment. seeing the entire universe as a whole.
maybe that dark patch is simply a small part of the big picture. not everything is pretty. but it's all real.
and real is all there is, in the final analysis. [ Reply to This ]
thanks, smokey &mdash 11/03/06 - 04:45:50 PM
I'm so pleased that you "get it". I think the more I do this music thing, the more enlightened I feel.
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Fantastic! &mdash 11/03/06 - 01:22:25 PM
Color me blown away! This left me stunned and virtually speechless...One of the finest pieces I've ever heard in this genre. Really. It reminds me of a time-lapse film of white fluffy clouds moving rapidly over the landscape and building up into ominous thunderheads!
Take care!
Here is a wedding gift: http://www.macjams.com/song/23855 [ Reply to This ]
thanks, amagi &mdash 11/03/06 - 04:51:42 PM
Scary &mdash 11/03/06 - 01:38:27 PM
This scares me. That was my immediate impression even before I read your text. I has deep and forceful underlying streams. Very well and professionally produced, and maybe that is why its impact is so strong.
What also amazes me is that there is a short melody theme inte there that is the leading theme in my post Oceans Crying. Maybe you've heard it and took it up unconsciously ... or else we've been co-inspired. Here is a link:
http://www.macjams.com/song/25292 [ Reply to This ]
Weird! &mdash 11/03/06 - 03:14:12 PM
Cori, This is the weirdest thing. Of course, I know your song Oceans are Crying. I've listened to it a few times (even downloaded it!) and I faved it. I mentioned in it's comments how much I like it.
But I had no idea the similarity in melody until you pointed it out to me. I can't explain other than I was obviously influenced by it -- almost as if my mind was analyzing it so much that it left a permanent mark. I'm really floored right now! Please, I hope you take that as a compliment. I hold your songwriting skills in high regard.
Now I have to see if it's even in the same pitch -- wouldn't that be weird. I'm going to edit the song description here to mention you as inspiration for this song. I'm really glad you noted the comparison and pointed it out to me.
thanks for stopping by. Shoot me an email if you have any other questions about the song!
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Meow Miss &mdash 11/03/06 - 04:00:39 PM
Oh, yes I see now and remember your comment when I see it, sorry I forgot to check back. You wrote "I'd love to toy around with this melody" LOL!
Glad you digged the theme so much. Rather interesting to study how it appears in a new and undexpected surrounding after being asleep in your subconcious for a while.
I've had similar experiences. On some occasions I have discovered after many years that I have been using a Beatles-theme or something. So for example has my post "sea" (http://www.macjams.com/song/6982) a touch of Beatles' "You never give me your money". Nobody have commented on that, and that took me some years before I (just recently) noticed myself.
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Johannes "Curry" Cori Ander [ Reply to This ]
well &mdash 11/03/06 - 05:30:47 PM
Excellent &mdash 11/03/06 - 10:23:34 PM
Enjoyed this very much. Beautiful cinamatic imagry would match this well. Thank you for the trip. [ Reply to This ]
Quick question(s)... &mdash 11/04/06 - 08:44:38 AM
...The title? Were you listening to Bauhaus recently? Not a bad thing in my book.
Excellent kettles in there -is it a middle eastern vibe or a Japanese soundscape you were thinking? Whatever - it works brilliantly...!
Nice one! [ Reply to This ]
Hey, Infinites! &mdash 11/04/06 - 10:01:48 AM
No, no Bauhaus here. But I just Googled it, and sure enough! Funny... I'll have to go listen to it now. :-) Was definitely going for a Japanese vibe. thanks so much for stopping by!
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Cool, dark, mysterious &mdash 11/05/06 - 01:34:41 PM
Exotic landscapes,roll past, movement- always movement. Montage of lights and darks, glimpses an overriding presence watching, on rare occasion reveling itself. Great production. Great song! [ Reply to This ]
thanks, bowman &mdash 11/06/06 - 10:12:27 PM
You have a really good sense and perception of aural lightness and darkness and how that relates to visual imagery. Your bio states you're into film... I will have to investigate that further. :-) Thanks so much for the listen and comment!
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visual and aural epic &mdash 11/06/06 - 01:55:52 PM
this painted a very expansive soundscape for me. awesome pro sounding cinematic epic. now i can't wait for the movie experience.
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Sometimes I'm so embarrassed... &mdash 11/07/06 - 10:28:47 PM
...that I miss or almost-miss something really good, especially from someone whose work I enjoy...
I'm listening to this somewhat louder than I usually do, for no particular reason, and over really nice headphones, and this is almost mind-altering...
I really love your 'envious rage' comment above. I so relate to that...
Ed [ Reply to This ]
Amazing! &mdash 11/08/06 - 04:46:15 AM
Thank you so much for sharing your work. It is truly inspiring and beautiful. Well done! [ Reply to This ]
Epic &mdash 11/08/06 - 04:46:06 PM
The beginning starts out so transparent and light, like a bubble, then bursting into a fantastic explosion of light and color. An aural map to another place and time. [ Reply to This ]
Oh yes! &mdash 11/09/06 - 05:04:53 PM
Flowing waves &mdash 11/19/06 - 07:10:17 AM
I really like your work and have done for some time. This peice is just the sort of thing I enjoy most. You use instruments well to create moods, something that not everyone does, or should I say not everyone achieves. For me it is all about emotions, and this is a rollercoaster ride from darkness to light and beyond, superb.
Tim. [ Reply to This ]
wow &mdash 11/20/06 - 11:34:26 PM
You've really got some ears there... certainly cinematic, very visual, and the clarity in your mix makes me jealous... textured and interesting through all the movements... this is a great ride
and congat's.. long lived happy blessings to you both [ Reply to This ]
Awesome &mdash 11/21/06 - 08:08:22 PM
Finding Satori refers to discovery, lifting the veil from reality to a deeper truth. This has a touch of darkness to it but does has the feel of a revelation. Liked this a lot. I mean A Lot. Thanks. [ Reply to This ]
Amazing &mdash 11/29/06 - 02:48:38 PM
As a TV Producer and editor, I hear a LOT of scored music. This track is right up there with the best of them. I could hear this cut anywhere, from Documentaries to Hollywood to The Apprentice. Its a gem.
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wow, thanks &mdash 11/29/06 - 10:18:12 PM
Really nice of you to say so. I think you just made my day!
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Lovely piece of music &mdash 11/30/06 - 12:23:20 AM
The mix sparkles. Thanks for the opportunity to hear yet another awesome talent here at MJ.
Off to listen to other tunes here and hear how those speakers shine on those. [ Reply to This ]
OOOOhhh... &mdash 12/08/06 - 05:10:09 PM
This is a fantastic piece of work. I'm bummed that downloads was off-line when visited. I've got a long road trip ahead and would of loved to add this to the iPod. The synthetic and natural percussion sounds work great together, ( I wouldn't have thought) along with the orchestral and synth sounds. It takes me on a ride to a wonderful world of primitively lush landscapes and filled with the joy and activities life. I love the way you gently drag me out of this world slowly, mournfully to force this listener back to reality only to dream of the day to return.
Very good work.
I would rate this above Kitaro's Silk Road "part ll anyway" which is one of my favorites, as his piece is a bit dated due to the synths used at the time. The one thing I noticed, are those pesky pops...it that in the .mp3 conversion? Any way they certainly don't take away from the beauty and incredible arrangement of this piece.
I need to swim in this one for a few weeks! [ Reply to This ]
Cori sent me ... &mdash 12/17/06 - 12:35:50 PM
Johannes (Cori) just E-mailed me about this, and it's wonderful! I can hear the hints of "Oceans are crying" here, especially towards the end, but to be honest, I don't know if I would have caught it. Really, the main reactions I have are that it is really well and artfully done -- you have a really sensitive ear for colour and texture -- and quite stirring. I'm not sure how I'd categorize the mood; sort of ominous, possibly forboding, but there's something hopeful and very pretty in there too. I really, really love those really deep bass sounds that happen periodically. Great job! [ Reply to This ]
Wow, thanks, ComposerClark &mdash 12/17/06 - 01:46:54 PM
I didn't realize the similarity either until he mentioned it in the comments. Something subconscious (or unconscious?) stuck with me when I heard Johannas' song. Now it's only appropriate to note the influence.
These are very encouraging things you said here. If I succeed at anything, it's taking all these comments to heart and exploring the little nuances that people tend to point out to me. And coming from you, well... it's a very powerful thing to leave your thoughts here for me. From the bottom of my heart, thank you.
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. . : : From near to far, from here to there, funny things are everywhere : : . . — Dr. Suess [ Reply to This ]
Just want to add &mdash 12/17/06 - 07:28:58 PM
Hi, just for sure I want to add that I mentioned the subject not to complain, but because we were discussing this interesting subject. I have at least two tunes that I have made where I discovered years later that I had copied themes I've heard elswhere. And lately there was an interesting coincidence in McBoy's latest and truely wonderful post which composerclark and felt resembled a tune that McBoy himself is unaware of ever hearing.
Where do musical ideas come from?
How do they live around in the head and heart of the owner, till one day they come out as music?
Very complex things to ask, but suerly interesting, sometimes I think dreams are involved, maybe even very often .. and very much ...
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Johannes Curry [ Reply to This ]
Where do musical ideas come from? &mdash 12/17/06 - 10:08:43 PM
My theory is that on some level artists tap into what Jung called the collective unconscious, referred to as 'a reservoir of the experiences of our species.' for the sources of their (our) inspiration. The way in which art becomes realized differs according to culture (both musical and sociological), experience, means, personality, and multiple other factors, but I think at the deepest level we're all drawing from a common well. As I said to Johannes earlier today, it doesn't surprise me when I hear similarities between two musical compositions; given the restrictions of the tonal music system and the structural limitations of most pop music, it surprises me that it doens't happen more often. The whole concept of 'originality' in art is complex and, I think, often misunderstood. It is a voting category here, which means it is something that is perceived to be of value in creating art, but the reality is that if people started creating works that were groundbreakingly original, it is likely that few people would like them, because there would be nothing there that they could relate to. There has to be something familiar about art for most of us to like it. The reason 'originality' is felt to be important, I think, is because if art is too familiar, we tend not to like it because it feels like a cheap imitation of something else. My personal advice to anyone who asks about this when I teach is to not become overly concerned with originality. The main goal for an aspiring composer is to develop craft, which simply means a musical vocabulary, so that we can say what we want how we want. And since we are all inherently similar and disimilar, what results will be somewhat original and somewhat not, but hopefully well crafted, and hopefully this will speak to people. Whew! How long-winded I am! Sorry about that... My main point is that this is extremely well-crafted, and plenty original, and I am glad to have heard it! I will be quiet now. --- Visit my website for lots more free MP3s and scores. [ Reply to This ]
I am amongst smart folks &mdash 12/17/06 - 10:51:56 PM
Not long-winded at all. In fact, I'll probably remember this 'conversation' each and every time I sit down in front of my keys to play something original. I agree and glad that I'm not the only one who has been caught up in the "what really IS original?" questions. I've had these discussions at length with _nderscore, who really values originality, and I've become frustrated by the whole enigma. One person says "She's uses piano in each of her songs. That's not original. Piano has been used a billion times." And yet another person may say "But this song made me FEEL a feeling I've never felt through music before. That qualifies as original to me."
I've realized that there are a few catagorically different types of listeners, just as there are personalities out there (for psychologists, I guess). The simplest way I've figured out how to separate them is to say there are those to listen to Parts & Pieces (Analytical, Dissective, Engineers, Mechanics, etc) and there are those who are Holistic Listeners (Feeling, Perceiving, Submerged in the mood and pictures of the story, Film makers, etc). To the analyst, original is much harder to acheive. To the Holistic listener, it's the journey, the climax and the finale -- ie: "This song has changed my life. I laughed. I cried. This moved me." Rarely, I think, do these two styles converge. So it's very hard for anyone to acheive originality.
But I think Jung is right. Every experience, whether we dream it, fear it, lived it or love it, is stored somewhere precious. And we probably access that information during all phases of our consciousness. Lucky us -- Our outlet is music, and the possibilities are really endless.
Thanks for giving me so much to think about. I'm a smarter person today.
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. . : : From near to far, from here to there, funny things are everywhere : : . . — Dr. Suess [ Reply to This ]
Hi again _ndies and Clark &mdash 12/20/06 - 08:04:34 AM
Hi again _ndies and Clark,
This is such an interesting and educating conversation that I feel it would make up a great forum thread. I think many MJ:ers would become interested and engaged in it.
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Johannes Curry [ Reply to This ]
excellent work &mdash 01/10/07 - 12:48:37 AM
This was such a great track. So many things strike me immediately- melodically, it's very tight and leaves me with a lifted feeling. It makes me imagine being in the midst of a forest which is absolutely alive all around and yet I'm left with a feeling of distant yearning.
This track was intensely evocative as is so much of your work. I really dig the texture you accomplish with a very dynamic mix as well. Much respect! [ Reply to This ]
much respect back! &mdash 01/18/07 - 12:37:39 AM
Thanks so much for your thoughts on this. I do truly hope you come back to MJ and not let a few folks get under your skin. You've been really kind and generous and we NEED more of you around here. Anyhow, I hope you get a chance to read this and reconsider. Bring your music back!
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. . : : From near to far, from here to there, funny things are everywhere : : . . — Dr. Suess [ Reply to This ]
WOW! &mdash 01/20/07 - 10:44:02 PM
This was really beautiful.
I LOVED the vocals and flutes its really fantastic. Percussion was the only part I was less excited about would kind of like to hear it without the percussion/with selected percussion.
But WOW this is really beautiful overall.
Yay. [ Reply to This ]
Cool! &mdash 02/01/07 - 06:19:26 PM
This is great! A brilliantly inventive piece - simple yet ingenious. Your use of the sonic space and mix of instruments holds the attention and it moves along a nice pace. Well done, its inspiring - I must try something in this style myself. Thanks for sharing!
Mark [ Reply to This ]
Hey Mark &mdash 02/02/07 - 04:12:38 PM
Wow, I really appreciate your comments! It keeps me going -- and thinking I'm not a total goof when it comes to music. :-)
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. . : : From near to far, from here to there, funny things are everywhere : : . . — Dr. Suess [ Reply to This ]
Wow! &mdash 02/07/07 - 02:12:22 PM
wow &mdash 02/08/07 - 11:52:35 AM
Thanks Bob! No -- make that Many, Many Thanks, Bob! :-)
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. . : : From near to far, from here to there, funny things are everywhere : : . . — Dr. Suess [ Reply to This ]
Documentary stlye for me IMHO &mdash 08/04/07 - 01:37:18 PM
Dark, dark is right up my alley! At times this piece did exhibit a dissonant (not in a bad way) chord or two but the overall melody was of motion moving forward, by that; I mean the style of the percussion almost safari/exploration or even tribal. If the drums were programmed my hat%u2019s off to you. Very high quality and well produced. If not, what did you use for percussion?
My thoughts again were being influenced by the story that was being told thru your piece.
I see animals migrating for survival from one area to another henceforth the safari comment above. I also see the great oceans in chaos. Land or sea there is great peril for mother earth (the cup the holds life) if we the people don%u2019t do something about it!
I love how music can do that Cinematic or not-it%u2019s just a label. I have been out for a long time, but I love to hear people (friends continue with their passions) staying the course with the things they love. I glad MC you are still sharing pieces with us.
Your fan
Patrick
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As it is.. I loved it!! its more heavy and dark at the front end which forshadows the rest of the song quite nicely.
In essence though I get a modern middle/far east city a bustle with good and bad intentions/ Floating through its grey sky and neon clad ruins:)
Im very happy with it.. and loved the soft landing!
WB Miss Chaos! So lovely to hear you again:)
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