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BIG BLUES


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Description
This is literally the first take on both the rhythm and lead guitar. I used my Eastman 810CE hollow-body f-hole arch-top guitar for both parts. It's a beautiful guitar and I love the woody sound it has. The drums are modified loops and the bass was entered via keyboard.
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Song Stats
Hits: 993
Comments: 17
Fans: 7
Plays: 88
Downloads: 80
Votes: 3
Uploaded: Aug 01, 2007 - 08:50:37 PM
Last Updated: Aug 01, 2007 - 08:50:37 PM Last Played: Nov 01, 2009 - 11:34:21 PM
Song License
Creative Commons License:
Attribution-NoDerivs-NonCommercial

Creative Commons

Song Actions
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Hardware:
iMac
Software:
GB
Comments
Roxylee said 843 days ago (August 1st, 2007)
Sweet!
This is a first take on both guitar parts? Impressive! It's relaxed and cool and you play real nice. :-)
Check out my latest song called Sweet Grace
Ibstrat said 843 days ago (August 1st, 2007)
Big blues
Excellent sound and phrasing-I can hear some Kenny Burrell and Stevie Ray in there.Keep it up!
Check out my latest song called Blues in Bm
B. Flat said 843 days ago (August 1st, 2007)
Thanks.
Roxylee, I appreciate your listening!

---
B. Flat
Check out my latest song called NEVER SAY GOOD. Bye!
lengold said 843 days ago (August 2nd, 2007)
Lovely
sleepy, relaxed bluesy feel.
Cheers
Len


Check out my latest song called Dodgy Doughnut
B. Flat said 833 days ago (August 11th, 2007)
Thanks!
I'm glad you liked it, Len.

---
B. Flat
Check out my latest song called NEVER SAY GOOD. Bye!
BranDaMan said 840 days ago (August 5th, 2007)
this is
just excellent, great guitar work.
Check out my latest song called Giving Up (Instrumental)
B. Flat said 833 days ago (August 12th, 2007)
Thank you,
Bran

---
B. Flat
Check out my latest song called NEVER SAY GOOD. Bye!
GML2380 said 838 days ago (August 6th, 2007)
BIG BLUES by B. Flat
Flows like a cool,slow moving river;just as refreshing. Thanks for sharing. Gerry
B. Flat said 833 days ago (August 12th, 2007)
Thanks
for listening!

---
B. Flat
Check out my latest song called NEVER SAY GOOD. Bye!
B. Flat said 833 days ago (August 12th, 2007)
Thanks
for stopping by!

---
B. Flat
Check out my latest song called NEVER SAY GOOD. Bye!
Feter said 834 days ago (August 11th, 2007)
BIG BLUES
man what a sound ..I love such guitars ..
this sound Just like Mr.K my ol guitar
deep bow to ye sir !!
B. Flat said 833 days ago (August 12th, 2007)
Thank you!
Nothing better than playing for those who appreciate it!

---
B. Flat
Check out my latest song called NEVER SAY GOOD. Bye!
Jarvoid said 603 days ago (March 29th, 2008)
what
amp or interface are you using ? ,thats a lovely clean yet bluesy sound you achieving.Nice one I think it needs to go in the trophy cabinet....Jarvo
Check out my latest song called Witches in Texas-'Hallowe'en Challenge 2009'
B. Flat said 603 days ago (March 29th, 2008)
Thanks,
Jarvoid! I use the Line 6 Tone Port for the interface with the Gearbox Amp software which comes with it. It's very easy to use and sounds good and is only $150.00 (or used to be).
Check out my latest song called NEVER SAY GOOD. Bye!
Jarvoid said 603 days ago (March 29th, 2008)
Okay..
This may be where I'm going wrong .I hook a Line 6 Spiderll
amp straight into a Zoom Mrs8 and then into the Computer using Cubase......and I don't seem to get a lot of control.
Its either too loud or "scratchy".Thanx ,I may try one of these interfacer jobbies....Good stuff I'm going to check out the rest See Ya..Jarvoid

Check out my latest song called Witches in Texas-'Hallowe'en Challenge 2009'
B. Flat said 601 days ago (March 30th, 2008)
The
Spiderll could be overdriving the interface. You might try using the effects send to the interface or going from the Spiderll line output directly to the PC audio in and see if it's any better. Good Luck!
Check out my latest song called NEVER SAY GOOD. Bye!
timothy devine said 338 days ago (December 19th, 2008)
Nice Bluesin
Great to hear you play man.
Stretch / nice skating
peace
tm



Check out my latest song called Mankind Needs a Change/WoodstockII
Genre Info
The blues is a vocal and instrumental form of music based on a pentatonic scale and a characteristic twelve-bar chord progression. The form evolved in the United States in the communities of former African slaves from spirituals, praise songs, field

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