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| TobinMueller said 2110 days ago (February 14th, 2004) | |
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Twilight Zone Spooky, just like you said. Where did all this sounds come from? Everything inside GB? Nice space and movement. The piano thing did seem like a second song that faded in, and the reverb on the piano made it sound shaky in an unpleasant way; thought maybe if should have sounded more expansive and New Age at the end. But I dug it. Keep experimenting! --- ArtsForge founder Check out my latest song called Forge A New Life (MJRF)
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| Syngekhoomei said 2110 days ago (February 15th, 2004) | |
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Sweet I really like this song. Very creepy in the beginning; atmospheric and just kinda cool. The piano sounds great (even tho the sound getting louder and softer really fast is kinda weird). I think it might sound better as the piano alone without the bass, but it was still kickass. Good song! --- Amen to that. Check out my latest song called Secrets of the Universe (Schirano sux)
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| s0mmeil said 2093 days ago (March 3rd, 2004) | |
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really like this one I agree that the effect on the piano needs to go. If your intention was to make it sound choppy, then I would suggest a sustained ambience behind it (I can hear cello or something mournful, or maybe the synth from the beginning washing in the background...). Nicely done. Recommended listening: DJ Spooky - ---iChat - s0mmeil (the "0" is a zero) Check out my latest song called acoustic #1
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| fishnugget said 1981 days ago (June 22nd, 2004) | |
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Real Horror Show! I really like the first part of this tune the best. It is very atmospheric and tense, somewhat relieved by the second part. As I understand it the first half was created completely with loops....I think that is really cool....it does'nt sound looped at all. I am curious as to what some of your influences are as far as this kind of music goes...I am always looking for something new to listen to. Keep creating! Check out my latest song called Goodbye Pluto
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| 4IM said 1957 days ago (July 17th, 2004) | |
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You are a Twisted Sort Aren't You? Dude, this track is very cool and worth another look. The piano is very powerful, it envokes a very sad feeling to me. Let's see if we can push the envelope a little more. I definately agree with the concensis on the piano. Loose the weird echo but keep it in an empty environment. Imagine the piano in a large area by itself. Think of the echo that it would make and that's where you want to go. As for the freak of nature FX, I like them too but they need a little placement. I think the piano would not have near the saddness it has without the FX at the beginning so leave them there HOWEVER, here are some suggestions: 1. Shorten the FX at the beginning and integrate sound bites from movies where you hear an actor/actress speaking something that fits with your song. No SFX (Sound Effects) from the movie, just narration sound bites and just a few. Or invent your own. What I'm suggesting here is to give the listener a place to go, like an establishing shot of a movie. They hear the malencolly (sp), hear sound of fear and then the piano comes in... 2. I like the suggestion of loosing the bass line, it would sadden the composition even more but I also like it. Perhaps try the following: a. Leave the bass line in b. add some SFX of a woman crying a few times throughout the course of the piano (lets sadden this a bit more shall we?). Perhaps in the background, subtle so people will pick it up slowly. This will freak people out when they realize what it is because it's not obvious and it will help reinforce the stage you set with suggestion #1. c. perhaps repeat the first part of the piano again accept this time, fade out the bass so the piano goes solo. The idea here is to create solitude and lonelyness (it's practically there now). d. When it gets to the end where you are at the upper end of the keyboard, add a couple of the SFX from the beginning back in, but in the background and inbetween the high notes (I don't know how to describe it). e. fade the SFX so each comes in and out in about 1-3 seconds time. f. Let piano continue to play solo and then let final note sustain and fade on it's own. 3. Or you could just ignore everything I just wrote and say I'm nuts. I'm more of a Rene?© Magrit man myself but I can respect your twist impression of Dali. Get it? Dali, clocks, twited. Or maybe I should have said warped. I'm adding this to my favorites. Check out my latest song called Sword of Freedom-BETA VERSION
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| _nderscore said 1951 days ago (July 22nd, 2004) | |
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very nice emotional. inventive. some of the sounds are really amazing i like the 1st half of the song best, but the end seems to ground all of the "craziness". nicely done Check out my latest song called glyd
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| stealthgear said 1698 days ago (April 1st, 2005) | |
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not bad maybe add some more distortion to the first half Check out my latest song called System7
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| moglee said 1456 days ago (November 29th, 2005) | |
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mhms sick layers Check out my latest song called friendly fire
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Check out some of my other songs:
More songs in Experimental:
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macapa
Yep, I liked this one. But there's a bit too much happening in the first "half". I
like chaos, it can become really great, but in this case, the chaos needs a bit
more structure than what we can currently hear.
---
Thierry Daigneault