caroline - sweet and yes, those analog synths always give a touch of BBC Radiophonics workshops work on the "Sea Devils". TV-matic? lol. Rest assured I only squeezed the camel a little :o)
TEXASFEEL - thanks John. Was just a quick experiment...I do like taking time to try finding a good spot in the stereo field for each instrument.
Feter - thanks. I do like mixing very organic with very synthetic from time to time, sometimes it gives a cyborg-ish sound I like.
that80sboy - you'll be more of a Davison era chap?? (80s) but .. you'll no doubt recall some Roger Delgado/Pertwee wacky mellotron synth sounds. Thanks.
magnatone - thanks Karen. It's perfect if someone needs a 1:14 piece for some media. :o) It's supposed to have a bit of penultimate lead .. leave you hanging for the 'action' or startling discovery to unfold before your eyes.
peacepiano - thanks Bill. That's kinda like I was thinking. Hopefully suitable for sci-fi horror film genre.
craft - lol .. I think the popcorn popping was quite a subliminal addition. I may well come back to it and make it bigger... or try it at a slower speed (as Estella suggested).
Allen Dean - actually, I think I can count on one hand the Rush tunes I know/like/influenced me: Limelight, The Trees, Spirit of Radio and Time Stands Still .. and I got to the latter via the Amie Mann connection in fact. Might need a touch more bass guitar to go that way .. and a different time signature... something in 3s ;o) It's good I thought the ending has the effect of wanting more .. perhaps not music .. but film action instead? Thanks bud... next stage for this might be to add some guitars :o)
lengold - lol .. must? MUST?? I think your right .. I'll certainly dabble with this later. Thanks Len.
roxylee - I must admit for this I just let it play itself out ... quite aimlessly around a notion of some organic and synthetic sounds .. it was at the end I tried listening with different ears and decide what I had created so far. Thanks very much, too kind.
davisamerica - ok then .. maybe just a little :o) Thanks Jack.
estellie - I think that is an excellent suggestion .. it's actually a bit fast .. I didn't realise until I had recorded the guitars *doh* .. but I also like/hear what you mean .. it has some theme-ish qualities (I had hoped) and they could be played
slower and build up etc .. I might need to try (for the first time) some tempo adjusting in Logic (don't have GBv4 yet).
dajama thanks Dave .. I'm glad you liked the rimshots .. I kinda thought I'd over-emphasised them a little too much with the Ozone Parametric EQing on the master track.
echoroom - thanks Steve. Oh, in real life I am a MJer, in the virtual world I am a daft berger and in my dreams, I work ;o) I'd love to mix/produce/record fulltime...anything computer music related (short of journalism)..oh, if only it would only pay the mortgage... otherwise I'm stuck as a mild mannered systems engineer.
saymme - thanks Lena. It does have a strangely lulling therapeutic effect .. I thought that was just me .. despite hopefully a hint of fore-boding, sinister, sci-fi and horror.
Lightman- thanks Jakob - I did try to focus on the drums and subtle variations (even within something this short).
spitlogic - thanks Mitchell. I was trying to suggest it might be kinda like music suitable for placement somewhere in a re-make of the 1977 sci-fi horror film "demon seed" .. hmm..perhaps also slightly influenced by "Resident Evil" I've since reflected .. (if you've seen that?) .. certainly some kind of chase .. I was thinking for corridor in complex I guess... lots of interpretations .. quite open applicability...
maybe if I remove the popcorn noise .. lol .. that's a good sound .. but it's perhaps
drifting into the 'too much fun' category.
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