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Silvestro Ganassi is mostly known as a composer of recorder music, but he wrote some pieces for Viola Da Gamba too. Here is one that I have been studying.
A bit more about the music. This is solo music, so no harmonies. What's more, this is written without barlines, so the performer has to figure out which notes carry the emphasis, and where the phrases are.
All this makes it a challenge to do something with this track. (So why not just play it? Good question.) I decided to do nothing more than double the melody line with various software instruments, to add some colour. Let me know what you think of this idea.
A bit more about the music. This is solo music, so no harmonies. What's more, this is written without barlines, so the performer has to figure out which notes carry the emphasis, and where the phrases are.
All this makes it a challenge to do something with this track. (So why not just play it? Good question.) I decided to do nothing more than double the melody line with various software instruments, to add some colour. Let me know what you think of this idea.
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Cameron
...don't always mix optimally.
I like the ancient, rather exotic sound of the viol da gamba. It has a wide range of tone colors in its sound, which is interesting in of itself.
These software synth instruments did not really add much to the mix, in my opinion. They certainly weren't bad, but they didn't enhance.
It seems that instruments of a similar period would blend better together. Your recordings with the synth harpischord fit your live recorder sound very successfully. (So does your use of synth percussion.) I would love to hear you do a track of viol da gamba, recorders with synth harpsichord added.
OR...multi-tracked viol da gamba! Either "au naturel" or perhaps you could employ various special effects on that sound, as you have done well with recorders in the past.
In any case, the viol da gamba sound is very interesting on its own.