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| sunshinepumper said 1283 days ago (May 22nd, 2006) | |
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/// Active, highly inventive riffs dance around tonal centers and then invert all meaning as they approach an understanding they have defined. Each song shifts and deconstructs in a twisted way only to reveal its gradual plan for self-reformation, with each cycle of thematic peak resulting in a new apex of motif. One might call it "virus study music," as what it traces is evolution of a song from basic principles unique to that song, in an information age version of progressive music. With an ear for rhythmic expectation like a funk band (without the cheesy slap bass effects) with a temporary insanity driving a yen for weird tonal progressions, highly verbal riffing and a slow buildup of rhythm and harmonic accents, in a style reminiscent of Ripping Corpse, Demilich place the listener into a staring contest with the self's own concept of infinity. This album is highly recommended - underground metal shooting off in another direction, but in safe hands. It's punk in that these players are not entirely technically obsessed and play sometimes a shade unsteadily, but progressive in that they reach beyond any metal structures known to humanity to create a language: a highly abstracted and intellectual, atmospheric type of death metal that works out its fractal by making sure every anticlimax is a peak view into the next dimension of its context. |
| sunshinepumper said 1283 days ago (May 22nd, 2006) | |
|
/// Active, highly inventive riffs dance around tonal centers and then invert all meaning as they approach an understanding they have defined. Each song shifts and deconstructs in a twisted way only to reveal its gradual plan for self-reformation, with each cycle of thematic peak resulting in a new apex of motif. One might call it "virus study music," as what it traces is evolution of a song from basic principles unique to that song, in an information age version of progressive music. With an ear for rhythmic expectation like a funk band (without the cheesy slap bass effects) with a temporary insanity driving a yen for weird tonal progressions, highly verbal riffing and a slow buildup of rhythm and harmonic accents, in a style reminiscent of Ripping Corpse, Demilich place the listener into a staring contest with the self's own concept of infinity. This album is highly recommended - underground metal shooting off in another direction, but in safe hands. It's punk in that these players are not entirely technically obsessed and play sometimes a shade unsteadily, but progressive in that they reach beyond any metal structures known to humanity to create a language: a highly abstracted and intellectual, atmospheric type of death metal that works out its fractal by making sure every anticlimax is a peak view into the next dimension of its context. |
More songs in Dance-Club:
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| 7 | | |
this is a really good piece of garageband right here! I've always been a fan of techno/dance/electronica music, and this was very satisfying. PLEASE MAKE MORE STUFF LIKE THIS!
downloading as i type