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I have no idea why I get such "JOY" out of darker melancholy music, but I do. This would be one of those examples.
This is from a second Under the Piano session with Julia. The first session was fantastic, and she was so excited to get her recording of the session. Regrettably, I forgot to reduce the recording level when I recorded the session, and the whole thing was painfully distorted. There was one track in particular that resonated with her. The track was in b minor, a key I don't often choose. Sure enough, I chose b minor again during the 2nd session, and it too is the track she said made a exceptional connection with her. I have been playing around with b minor more often recently and it always seems to draw a dark creativity out of me or out of where ever in the universe such expression comes from. This is most certainly one of my darkest expressions in recent times.
This is from a second Under the Piano session with Julia. The first session was fantastic, and she was so excited to get her recording of the session. Regrettably, I forgot to reduce the recording level when I recorded the session, and the whole thing was painfully distorted. There was one track in particular that resonated with her. The track was in b minor, a key I don't often choose. Sure enough, I chose b minor again during the 2nd session, and it too is the track she said made a exceptional connection with her. I have been playing around with b minor more often recently and it always seems to draw a dark creativity out of me or out of where ever in the universe such expression comes from. This is most certainly one of my darkest expressions in recent times.
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crissew
and d minor are the most dark and ominous of the key signatures for me. In the hands of a great piano player like you, it does some serious damage. Such a bad to the bone piano tone, the best on MJ for sure. Amazing the sound you get out of the zoom recorder. Great job.