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Yah well before the perfect wheel came the kerthumping wheel - chiseled stones etc . . . hardwood later - the lopsided wheel was devised first – back when – thus came this title.
Eighth notes here are showcased,
chucked inside two sixteenth notes . . . regarding its time signature
and rhythmic configuration – left sided accompaniment has a set irregular arrangement for the beginning and ending parts.
Upon further zooming into this MIDI file : I’m seeing left time durations are not in perfect accordance . . . flawed a little . . . before and after a middle mobilization hammered dulcimer style effort . . .
(In the beginning and ending parts.) I thought auto-correcting them
& retouching might make it all too “mechanical” and less of an actual real-time performance.
(within the “Bookends” one minute or so intro. and outgo). –
but in the centerpiece development section it all changes . . . then returns
and modulates to C# Major.
It starts in B Major.
Opposing sides join forces and speed up a little bit for a centerpiece exhibition (Spherical Intervention). . . to mesh & melt together.
When wheels become more concentric they roll better.
Flat tires go without mention.
Barbara was enlightening me with the concept of this longer middle section
also acting a role of "intervention" . . .
Download enabled.
Eighth notes here are showcased,
chucked inside two sixteenth notes . . . regarding its time signature
and rhythmic configuration – left sided accompaniment has a set irregular arrangement for the beginning and ending parts.
Upon further zooming into this MIDI file : I’m seeing left time durations are not in perfect accordance . . . flawed a little . . . before and after a middle mobilization hammered dulcimer style effort . . .
(In the beginning and ending parts.) I thought auto-correcting them
& retouching might make it all too “mechanical” and less of an actual real-time performance.
(within the “Bookends” one minute or so intro. and outgo). –
but in the centerpiece development section it all changes . . . then returns
and modulates to C# Major.
It starts in B Major.
Opposing sides join forces and speed up a little bit for a centerpiece exhibition (Spherical Intervention). . . to mesh & melt together.
When wheels become more concentric they roll better.
Flat tires go without mention.
Barbara was enlightening me with the concept of this longer middle section
also acting a role of "intervention" . . .
Download enabled.
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magnatone
this is HARD to play! i love the inventiveness of Invention Number One, and the mastery of your playing scottie! happy new year to you, and i look very much forward to being wowed by your piano in 2011!