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Description
Close your eyes, and come with me. It is a warm Autumn eve in the Black Forest. There are ancient folk tales about this magical wood... how late at night it comes to life with mischievious fairies and wood nymphs. Any mortal who hears the unusual, hauntingly romantic dance music, will be enchanted, drawn into the heart of the forest, and will never return. Hush! Do you hear them? They're calling, gathering for the dance...
Extra Notes: I wanted to create an unusual dance, something that felt just a little off-kilter, strange, but catchy at the same time. I wrote a melody that switched between minor and major, and also wrote an unusual rhythmic "loping" feel between the cellos, strings, and clarinet. It is in 4/4 time, but doesn't want to be... I'm dubbing it a "faux-trot". This is for all of us who have delightfully quirky eternal romances. Deepest thanks to my wife who inspires my music, and guided and critiqued this piece so thoughtfully. She really wanted the middle section to be a full-fledged-fugue, but it is a simpler canon ("round") for now as I learn more about composition. By the way, this is written as a quintet (clarinet, flute, violin, viola, violincello), not a full orchestral piece, and I have the score in hand, hoping to get it performed soon.
Version 3 Notes (Update - May 22, 2011): Extended per prior critiques here at Macjams. Modulation added going into the canon/development, and detailed work on violin parts and dynamics. The prior version can be found here for comparison: http://www.macjams.com/song/36524
Extra Notes: I wanted to create an unusual dance, something that felt just a little off-kilter, strange, but catchy at the same time. I wrote a melody that switched between minor and major, and also wrote an unusual rhythmic "loping" feel between the cellos, strings, and clarinet. It is in 4/4 time, but doesn't want to be... I'm dubbing it a "faux-trot". This is for all of us who have delightfully quirky eternal romances. Deepest thanks to my wife who inspires my music, and guided and critiqued this piece so thoughtfully. She really wanted the middle section to be a full-fledged-fugue, but it is a simpler canon ("round") for now as I learn more about composition. By the way, this is written as a quintet (clarinet, flute, violin, viola, violincello), not a full orchestral piece, and I have the score in hand, hoping to get it performed soon.
Version 3 Notes (Update - May 22, 2011): Extended per prior critiques here at Macjams. Modulation added going into the canon/development, and detailed work on violin parts and dynamics. The prior version can be found here for comparison: http://www.macjams.com/song/36524
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magnatone
WOOT!