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Description
This flute exhibit is hereby open to all once again . . .
this one might get you going - thinking even
maybe to make it longer -
it's not a long piece as is . . . about 3:20 . Original.
This andes flute exhibit is done on my keyboard
using the after touch, pressure~vibrato and bend features . . . with no layering of individual parts.
all percussion, congas, and low celtic harp also done manually on keyboard with no metronome, no loops,
and no sequencing or steady preexisting meter
so as to to establish a more authentic feel . .
Having this one be primarily in F# minor makes it easier to play along with the harp and congas with my actual wooden flute, which scales up in the key of A.
This one seems to work o.k. for the afternoon global midtown market.
(the old sears robuck & co. building)
The final mix could have been higher in volume
but then it would have been peeking a bit.
So BAM crank it up.
this one might get you going - thinking even
maybe to make it longer -
it's not a long piece as is . . . about 3:20 . Original.
This andes flute exhibit is done on my keyboard
using the after touch, pressure~vibrato and bend features . . . with no layering of individual parts.
all percussion, congas, and low celtic harp also done manually on keyboard with no metronome, no loops,
and no sequencing or steady preexisting meter
so as to to establish a more authentic feel . .
Having this one be primarily in F# minor makes it easier to play along with the harp and congas with my actual wooden flute, which scales up in the key of A.
This one seems to work o.k. for the afternoon global midtown market.
(the old sears robuck & co. building)
The final mix could have been higher in volume
but then it would have been peeking a bit.
So BAM crank it up.
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abzwork
Yes..I'm feeling that loose framework...hypnotic breaths of the wood...very entrancing, my smile rides real comfy here...:):):)peace