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Description
I was going to name this Charon's Daughter, but it ended up sounding too much like a requiem. This is a collaboration between myself, TobinMueller (who helped me learn Live 4 in the process of putting this together and played keyboards), and the marvelous soprano Alessandra Zwegler. I'm on post-modern guitar (my Beefheart was eaten out long ago).
Maybe turn the track up louder. The track ended up too soft, I think. But I didn't want to compress the singer any more.
Maybe turn the track up louder. The track ended up too soft, I think. But I didn't want to compress the singer any more.
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Lyrics
You have to be dead to understand them.












































TobinMueller
The sounds evoke the bobbing back and forth of a boat,
and the mood is very haunting and ethereal. Everything
sounds very balanced and quality. I love this modern
opera stuff. Music without moorings, like stepping out of
life into the beyond. Very cool grooves. Very cool
experiment. Alessandra sounds great. Thanks for bring
these tracks to me to work on. I still hear an electric guitar
in there, tho. I like the effects you picked for the organ.
Fascinating track.